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"She does." The hours dragged heavily along in that house of mourning. The body of the dead man lay in the little chamber which looked out upon the laurel-encircled lawn. It was covered with a white sheet, the hands were folded upon the breast, and flowers had been laid thereon by the major. Over the face a handkerchief had been thrown, as the once handsome features were so discolored as to be absolutely repulsive to the sight. There was something terrible in the rigidity of the long form, stretched out so stiffly under the sheet. In the chamber candles were burning, and Jaggard was watching near the corpse. He was to watch throughout the night. "Seventeen," replied Elinor, counting. "I hope it will work all right when I pull the string. I've fixed the bottom of that lantern so it ought to fall out when I give a hard jerk, and all the bags will tumble down in a shower.".

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"Look at us last fall before we discovered David; look at us now; look at Miss Jinny; look at Elinor's canvas—which she couldn't have dreamed of doing if Miss Auborn had been chaperoning her! I tell you, men have ways of doing things that hit the spot, and I think it's a shame they don't get the credit for it." "I agree with you!" remarked the major, sharply. "A man might make a jest of these horrors--as you are doing." "On what charge?" "You all know," Bruce went on, "that I have been trying an experiment of my favorite theory of art education, but very few of you know how it has progressed. And it is to show you the result that I have lured you here today—to crow over some of you, in fact. The canvas I am going to show you was designed, executed as far as it has gone, entirely by Miss Elinor Kendall, a student of hardly more than nine months' study. The subject is the 'Nativity' and it is designed for a chancel in a small church.".